| Frances Hegarty - selected commentary | ||||||
Publication |
Author / item |
Kind |
Hegarty ref(s) |
Link to item |
||
| 2018 | European Women's Video Art University of Dundee |
Maeve Connolly 'Feminism, Ireland and Women’s Video Art in the 1980s' |
Chapter | Detailed discussion of early Hegarty works, inc. Ablative, Genitive, Dative (performance with film), Groundswell, Marital Orders (video installations), Turas (video/film). | ||
| 2015 | Suzanne Chan, Critical Diaspora: Women, Art, Migration. I.B.Tauris & Co. Ltd ISBN: 9781848853386 |
Suzanne Chan | Turas (video/film) cited, with video stills. | |||
| 2015 | Art and Architecture of Ireland Vol V: Twentieth Century Royal Irish Academy. ISBN: 9780300179231 |
Ed. Catherine Marshall, Peter Murray | Survey | Multiple works cited, with photos. | ||
| 2013 | Fionna Barber, Art in Ireland Since 1910 Reaktion Books, 2013 ISBN 1780230362, 9781780230368 |
Fionna Barber |
Survey | Multiple works cited, with photos. | ||
| 2010 | Dictionary of Living Irish Artists Ed. Robert O’Byrne. Plurabelle Publishing. ISBN 978-0-9563011-0-9 |
Frances Hegarty Alphabetical entry |
Ref- erence |
Artist's biography with artwork photo. | ||
| 2009 | Anáil an Bhéil Bheo: Orality and Modern Irish Culture, Ed. Nessa Cronin, Seán Crosson, John Eastlake Cambridge Scholars Press ISBN 1443803871, 9781443803878 |
Sheila Dickinson ‘Contemporary Manifestations of Ireland’s Oral Culture: Four Performance and New Media Artworks from Ireland’ |
Chapter (book) |
Theoretical discussion of Hegarty with Alanna O' Kelly, Dorothy Cross ,Esther Shalvez-Gerz, citing Turas (video), with video stills. | ||
| 2006 | Journal of Gender Studies Volume 15, No.1, March |
Suzanna Chan '"Kiss My Royal Irish Ass." Contesting Identity: Visual Culture, Gender, Whiteness and Diaspora'. |
Essay | Detailed discussion of Irishness, gender, colonialism, inc. extensive attention to Gold (video installation). | ||
| 2005 | Prepossession Ivan Dougherty Gallery, University of NSW Australia. ISBN 0 7334 21903 |
Liam Kelly Discussion with Frances Hegarty and Willie Doherty. |
Exhib. pub/cat. |
Auto Portrait #2 (video/audio installation) in touring group exhibition. | ||
| 2004 | Circa No. 111. (Dublin) ISSN 02639475 |
Sheila Dickinson 'Dialogues: Women Artists from Ireland'. |
Book review |
Appraisal of book inc. chapter on Hegarty. | https://www.jstor.org/stable/25564303 (requires Jstor account) |
|
| 2005 | Dialogues - Women Artists from Ireland Ed., Katy Deepwell. I.B.Tauris and Co Ltd. ISBN 1 85043 621 5 |
Katy Deepwell Extensive discussion with Frances Hegarty (dedicated chapter, pp.56-66). |
Chapter (book) |
Many works by Hegarty, Hegarty & Stones discussed, from c.1997 to 2001, with photos. | ||
| 2004 | Circa No. 107. (Dublin) ISSN 02639475 |
Marianne O' Kane 'Frances Hegarty at the Model and Niland Gallery, Sligo'. |
Review | Hegarty retrospective. | https://www.jstor.org/stable/25564113 (requires Jstor account) |
|
| 2004 | Sunday Times Magazine 15 February Ireland |
Cristin Leach 'Art: Me, myself and I'. |
Article | Extensive discussion of Hegarty retrospective. | ||
| 2004 | Frances Hegarty - Selected works 1970 - 2004 Gandon Editions, Ireland. ISBN 0948037 083 |
Sharon Kivland and Monica Ross |
Essays |
Monograph presenting multiple Hegarty works. | ||
| 2003 | Art Nation and Gender: Ethnic Landscapes, Myths and Mother-figures ed. Tricia Cusack and Síghle Bhreathnach-Lynch Ashgate Publishing Limited. ISBN 0 7546 3225 3 |
Hilary Robinson 'Becoming Women: Irigaray, Ireland and Visual Representation'. |
Essay | Theoretical discussion citing Turas (video). | ||
| 2003 | An Leabhar Mòr - The Great Book of Gaelic Canongate Books Edinburgh. ISBN 1-84195-249-4 |
Nuala Ni Dhomhnaill and Frances Hegarty | Bookwork | Collaborative page: Hegarty's Euromap layered with Ni Dhomhnail's poem Dubh (Black) - on the fall of Srebenica, 11 July, 1995. | An Leabhar Mòr, Hegarty/Ni Dhomhnaill | |
| 2003 | Transmission: Speaking and Listening Vol. 2. Sheffield Hallam University and Site Gallery. ISBN 8999-2626-7 |
Frances Hegarty and Lesley Sanderson Transcript of public discussion. |
Event pub. |
|||
| 2002 | Strangers To Ourselves Hastings Museum and Art Gallery, England. ISBN 0-9518262-2-0 |
Exhib. dub/cat. |
Audio-only version of Voice Over (installation with women refugees). Images of audio edit. | |||
| 2002 | Something Else Turku Art Museum, Finland. ISBN 952-9576-29-3 |
Exhib. dub/cat. |
Auto Portrait #2 (video/audio installation) in touring group exhibition. | |||
| 2000 | n.paradoxa Vol. 5. ISSN 1461-0434 |
Shirley MacWilliam 'A Snapshot of Performance and Video Editing, Punctuation and Self Image in Auto Portrait and Instant Exposure'. |
Essay | Auto Portrait #1 (video installation). | ||
| 2001 | Radio Anna Livia Dublin |
Interview/panel with Frances Hegarty | Radio | |||
| 2000 | Fortnight No. 388, September N. Ireland |
Jim Smyth 'Art Confronts the Troubles' |
Article | Discussion of developments in (Northern) Irish contemporary art, inc. women artists of Hegarty's generation. | https://www.jstor.org/stable/25560054 (requires Jstor account) |
|
| 2000 | Agenda Minas Television (Brazil) |
Interview with Frances Hegarty | TV mag. segment |
Auto Portrait #1 (video installation). | ||
| 2000 | Hoje em Dia, Saturday 16 September (Brazil) |
Alécio Cunha 'Comunhão de bens' |
Article | |||
| 2000 | Irish Studies Review Vol. 8, No.1. |
Hilary Robinson 'Disruptive Women Artists: An Irigaryan Reading of Irish Visual Culture' |
Essay | Theoretical discussion citing Turas (video). | ||
| 1999 | The Irish Empire, Ep. 3: A World Apart BBC and RTE television, UK/Ireland/international |
Dearbla Walsh (dir.) Interview with Frances Hegarty |
FIlm segment |
Artist interviewed whilst shooting video for Seemingly So... (Hegarty & Stones, site-specific installation with live and recorded video, Sheffield Railway Station 1998) | ||
| 1999 | The New York Times, 25 June | Roberta Smith 'The Irish struggle for a visual poetry to call their own'. 0044 - Irish Artists in Britain at PS1 New York. |
Review | Focus on Auto Portrait #1 (video installation). | ||
| 1999 | 0044 - Irish Artists in Britain Crawford Municipal Art Gallery, Cork, Ireland. ISBN 0946846243 |
Shirley MacWilliam Interview with Frances Hegarty. |
Essay (exhib. pub/cat.) |
Wide-ranging discussion of issues in Hegarty's work, inc. performance, and 'masquerade'. | ||
| 1999 | Circa No. 90. (Dublin) ISSN 02639475 |
Caoimhín MacGiolla Léith 'Playing the Green Card'. |
Article | Discussion of internationalisation of Irish contemporary art, esp. via large group exhibitions. | https://www.jstor.org/stable/25563512 (requires Jstor account) |
|
| 1999 | Circa No. 88. (Dublin) ISSN 02639475 |
Jo Allen with Peter Murray 'International Code' |
Article | Conversation about curating 0044 - Irish Artists in Britain (included Auto Portrait #1 (video installation). | https://www.jstor.org/stable/25563394 (requires Jstor account) |
|
| 1998 | Circa No. 84. (Dublin) ISSN 02639475 |
Shirley MacWilliam 'Speaking Bones and Singing Limbs'. |
Article | Theoretical discussion with extensive reference to Voice Over (video installation with women refugees). | https://www.jstor.org/stable/25563273 (requires Jstor account) |
|
| 1998 | Documentary Notes Public Art Development Trust, London ISBN 1 898278 08 3 |
Project pub. |
Point of View (work with photographs). | |||
| 1997 | Deoraiocht: Displacement San Francisco Art Institute. ISBN 0-930495-31-4 |
Jeff Kelley |
Essay (exhib. pub/cat.) | Gold (video installation) in two-person exhibition with Alanna O' Kelly. Video stills and photos.. | ||
| 1997 | Irish Geographies ed. Catherine Nash Djanogly Art Gallery, Nottingham, England. ISBN 1900809303 |
'Six Contemporary Artists : Pauline Cummins, Frances Hegarty, Kathy Prendergast, Tim Robinson, Chris Wilson, Daphne Wright' | Exhib. pub/cat. |
Group exhibition featuring Gold (video installation). | ||
| 1997 | Art at the Airports B.A.A. PLC (Art Programme), London |
Exhib. pub/cat. |
Presentation of art projects including Point of View (work with photographs). | |||
| 1997 | Art in the Atrium Sheffield Hallam University. ISBN 0863397603 |
Exhib. pub/cat. |
||||
| 1997 | Royal Hibernian Academy, Dublin | 'Academy Without Walls - Banquet Exhibition' | Exhib. pub/cat. |
|||
| 1997 | Circa No.79, Spring (Dublin) ISSN 02639475 |
Bernadette Buckley and Jaime Stapleton 'Frances Hegarty, Andrew Kearney, Philip Napier. Heathrow Airport: Terminal 1, Pier 4A'. |
Review | Three temporary public art works including Point of View (work with photographs). | https://www.jstor.org/stable/25563105 (requires Jstor account) |
|
| 1997 | Art Forum Vol.35, No.5, January USA |
David Levi Strauss 'Distant Relations - Santa Monica Museum of Art'. |
Review | Touring group exhibition Distant Relations, featuring Turas (installation). | https://www.artforum.com/print/199701 | |
| 1996 | Artists Newsletter UK |
Robert Clarke 'Unheard Voices'. |
Preview | Voice Over (video installation with women refugees). | ||
| 1996 | The Sunday Times, 4 November Ireland |
Medb Ruane 'Other voices, other lives'. |
Article | Discussion of Voice Over (video installation with women refugees). | ||
| 1996 | RTE television, Ireland |
Cursai Ealaine - arts magazine. | TV mag. segment |
Including section of Turas (video). | ||
| 1996 | Artweek USA, December |
Distant Relations at Santa Monica Museum of Art | Review | Touring group exhibition Distant Relations, featuring Turas (installation). | ||
| 1996 | Time Out London, 21-28 February |
Distant Relations at Camden Arts Centre | Review | Touring group exhibition Distant Relations, featuring Turas (installation). | ||
| 1996 | Circa No. 75, Spring. With French language supplement. (Dublin) ISSN 02639475 |
Fintan Cullen 'Confronting Multiculturalism '. Aiden Dunne 'Comment définir l’art irlandais '. |
Articles (2) | Discussion around touring group exhibition Distant Relations, featuring Turas (installation). | https://www.jstor.org/stable/25562926 (requires Jstor account) |
|
| 1996 | 16 artistes Irlandais Ecole des Beaux-Arts, Paris . ISBN 2 911127 32 3 |
Exhib. pub/cat |
Gold video installation as featured in group exhibition. Text and photos. | |||
| 1996 | L’Imaginaire Irlandais Editions Hazan, Paris. ISBN 2 85025 465 |
Exhib. pub/cat. |
Gold video installation as featured in group exhibition. Text and photos. | |||
| 1995 | Feminist Review No. 50. ISSN 0141-7789 |
Hilary Robinson 'Irish/woman/artwork - selective readings'. |
Essay | Extensive theoretical discussion citing Gold (video installation). | https://www.jstor.org/stable/1395493 (requires Jstor account) |
|
| 1995 | Frances Hegarty - Voice Over Metropolitan Galleries Manchester, England. ISSN 1352 2950 |
Shirley MacWilliam, Andrew Stones |
Essays (2) | Voice Over, video installation with women refugees, in solo exhibition. Essays, 3D CADimages and photos. | ||
| 1995 | Distant Relations: Chicano, Irish and Mexican Art and Critical Writing, ed. Trisha Ziff. Smart Ass Press D.A.P. New York. ISBN 0 9646426 1 1 |
Frances Hegarty artist's page, Essays by 21 authors. |
Exhib. pub/cat. |
Discussion around touring group exhibition Distant Relations, featuring Turas (installation). | ||
| 1994 | From Beyond The Pale Irish Museum of Modern Art, Dublin. ISBN 1 873654 21 9 |
Frances Hegarty |
Exhib. pub/cat. |
Gold video installation as featured in group exhibition. Text and photos. | ||
| 1994 | Work Ethics Sheffield Hallam University, England. ISBN 0 86339 4507 |
Frances Hegarty |
Artist's pages |
|||
| 1994 | Circa No. 69. Autumn. (Dublin) ISSN 02639475 |
Ken Hardy 'Modernity = Mobility: Diaspora'. |
Article | The Diaspora Project, including Gold (video installation). | https://www.jstor.org/stable/25562699 (requires Jstor account) |
|
| 1994 | Third Text No. 27, summer | Fiona Barber Territories of Difference: Irish Women Artists in Britain. pp. 65-75. |
Essay | |||
| 1994 | Irish Days Polish Television |
TV mag. segment |
Gold (video installation). Video footage. | |||
| 1993 | Relocating History Orchard Gallery Derry / Fenderesky Gallery Belfast. ISBN 090 779 7717 |
Exhib. pub/cat |
Touring group exhibition featuring Gold (video installation). Text and photos. | |||
| 1993 | Fortnight No.318, June 1993 (N. Ireland) |
Nuala Haughey 'From the Margin' |
Review | Relocating History group exhibition, including Gold (video installation). | https://www.jstor.org/stable/25554082 (requires Jstor account) |
|
| 1992 | Circa magazine No.61, Jan-Feb (Dublin) ISSN 02639475 |
Brian Kennedy, Brian Connolly, Paul Little 'Available Resources'. |
Article | Discussion of research and live art work by artists invited for group residency. | https://www.jstor.org/stable/25557692 (requires Jstor account) |
|
| 1991 | Available Resources Orchard Gallery, Derry, N. Ireland. ISBN 0 907797 69 5 |
Slavka Sverakova | Essay, (project pub.) |
Discussion of research and live art work by artists invited for group residency. | ||
| 1989 | FAN magazine, vol 3, no. 3 | Frances Hegarty 'Journey'. |
Artist's pages |
Photo-text pages relating to Turas film/video works. | ||
| 1989 | Yorkshire Television | Frances Hegarty 'The Wedding'. |
TV prog. segment |
Broadcast of Marital Orders video in the context of The Wedding group exhibition at the Mappin Art Gallery, Sheffield. | ||
| 1987 | Independent Media magazine (London) |
Nik Houghton 'Off the Map, Chisenhale Gallery London'. |
Review | Groundswell (video installation) in Off the Map group exhibition of Irish women artists. | ||
| 1987 | Performance magazine (London) |
Nik Houghton 'Off the Map, Chisenhale Gallery London'. |
Review | Off the Map group exhibition of Irish women artists, featuring Groundswell (video installation). | ||
| 1983 | Circa magazine No.14 (Dublin) ISSN 02639475 |
Joan Fowler 'Three Days of Live Art, 22 Lombard Street, Belfast. 17-19 November, 1983'. |
Review | Ablative, Genitive, Dative (performance) (as Frances Saunders). | https://www.jstor.org/stable/25556851 (requires Jstor account) |
|
| 1972 | Granada Television, UK | TV mag. segment |
Interactive sculpture. | |||
| |
||||||
| Frances Hegarty & Andrew Stones - selected commentary | |||||
Publication |
Author / item |
Kind |
Hegarty & Stones ref(s) |
Link to item |
|
| 2019 | The Visual Artists’ News Sheet, September/October (Dublin) | 'Time and Time Again' Joanne Laws interviews Frances Hegarty, Andrew Stones and Kevin Atherton. | Article | Evolution of artists' practices, citing The Land That... (2019) | |
| 2016 | The Visual Artists’ News Sheet, November-December (Dublin) | 'Do We Live in History?'Joanne Laws interviews Andrew Duggan about the Proclamation touring video programme. | Article | Citing new Hegarty & Stones video work/s. With a short poetic text by Hegarty & Stones. | |
| 2015 | Luke Gibbons Joyce's Ghosts: Ireland, Modernism and Memory ISBN 9780226236179 (hbk.) |
Luke Gibbons Esp. 'Shouts in Inner Speech, Self and the City' (Chapter 2). |
Chapter | For Dublin (temporary public art work in neon, 1997): theoretical discussion; with artwork photos. | |
| 2012 | Anakana Schofield Malarky (novel) 9781780743592 (pbk. 2014) |
Anakana Schofield Episode 6; acknowledgements. |
Fiction | For Dublin (temporary public art work in neon, 1997). The mood of a character on a date in Dublin is affected by the For Dublin neons. | |
| 2010 | Visual Arts Centre inaugural book, ed. Clarissa Farrell.
The Visual Centre for Contemporary Art, Carlow, Ireland. ISBN 978-1-907537. |
Sinead Dowling 'Visualise - An Introduction'; |
Chapter | Hegarty & Stones - Ex Machina (site-specific video/audio, 2006) in the context of a related programme of events. Photo. | |
| 2009 | Curating Architecture in the City, ed.
Sarah Chaplin and Alexandra Stara, Routledge (London, New York).
ISBN 978-0415489836 |
Hugh Campbell 'The City and the Text: Remembering Dublin in Ulysses: Remembering Ulysses in Dublin'. |
Chapter | For Dublin (temporary public art work in neon, 1997). Theoretical discussion with artwork photos. | |
| 2009 | The Visual Artists’ News Sheet November-December (Dublin) |
Maeve Connolly 'Writing After the Exhibition: Tactically Yours'. |
Article | Mediation and repetition in Tactically Yours at at the Butler Gallery, Kilkenny. | |
| 2007 | Circa magazine No.121 (Dublin) ISSN 02639475 |
Brian Hand 'Frances Hegarty & Andrew Stones: Tactically Yours'. |
Review | Tactically Yours, suite of four installations with video for the Butler Gallery, Kilkenny. | |
| 2006 | The Visual Artists’ News Sheet May-June (Dublin) |
'In Public: Frances Hegarty and Andrew Stones consider their approach to working collaboratively in public space'. | Article | Discussion of process in collaborative public works 1997 - 2006 ( (For Dublin to Ex Machina). Photos. | |
| 2006 | Visualise Carlow programme publication, Carlow Local Authorities Arts Office,Ireland. |
Frances Hegarty & Andrew Stones 'Ex Machina site-specific video/audio installation'. |
Essay | Hegarty & Stones - Ex Machina (site-specific video/audio, 2006), in the context of a related programme of events. Photos. | |
| 2006 | Contemporary magazine No.84 (London) |
Jaqui McIntosh 'Carlow: Visualise Carlow. Frances Hegarty & Andrew Stones: Ex Machina'. |
Review | Ex Machina (site-specific video/audio, 2006). Inaugural exhibition in the ex-Trek factory, Carlow. Production photo. | |
| 2004 | Christa Maria Lerm-Hayes Joyce in Art: Visual
Art Inspired by James Joyce (Dublin: Lilliput Press) ISBN 1843510529. |
Christa Maria Lerm-Hayes | Citations | For Dublin (temporary public art work in neon, 1997). Photo. | |
| 2004 | Slavko Kacunko Closed
Circuit Videoinstallationen (Berlin: Logos, 2004) ISBN 3832506004. |
Slavko Kacunko | Citations | [In German] Works by Hegarty & Stones in the context of artists' use of live video. | |
| 2003 | Irish Studies review Vol 11, no 3. |
Suzanna Chan 'Looking for Molly Bloom'. |
Essay | For Dublin (temporary public work in neon, 1997). | |
| 2002 | BBC Radio Leeds | Hegarty and Stones in interview. | Radio news item |
Extra (site-specific installation with live and recorded video, Bradford 2003). | |
| 2003 | Frances Hegarty & Andrew
Stones Extra (+) Site Gallery, Sheffield ISBN 1899926364 |
Jeanine Griffin Main monograph essay. |
Essay | Public artwork Extra (2003) in the context of previous joint works, e.g. For Dublin (1997), Overnight Sensation (2002). Photos. | |
| 2002 | Circa magazine No.99, Spring (Dublin) ISSN 02639475 |
Slavka Sverakova 'Belfast I: not "between" but "merging"'. |
Review | Overnight Sensation temporary video work for St George's Market Belfast, in the context of city-wide events. | https://www.jstor.org/stable/25563797 (requires Jstor account) |
| 2000 | Financial Times London, Tuesday 8 August |
Lynn MacRitchie 'Private Lives on public view'. |
Review | as it is group exhibition featuring Orienteer (A to Z, Dawn to Dusk) (video/audio, 2000) | |
| 2000 | as it is Ikon Gallery, Birmingham ISBN 0907594689 |
Hegarty & Stones | Exhib. pub. |
Orienteer (A to Z, Dawn to Dusk) (video/audio, 2000) in the context of a related programme of events. | |
| 2000 | Contemporary Visual Arts magazine Issue 31 (London), ISSN 1028-5040. |
Claire Doherty 'Soft Cities' |
Article; contents page |
Orienteer (A to Z, Dawn to Dusk) (video/audio, 2000). Cited with photos. | |
| 1999 | Public Sightings PhotoArts2000, England ISBN 0953571106 |
Hegarty & Stones | Photos | Seemingly So Evidently Not Apparently Then (site-specific video installation, Sheffield Railway Station) | |
| 1998 | Today BBC Radio 4, UK national news and debate c. Monday 26 October. |
Hegarty and Stones in interview | Radio news item |
Seemingly So Evidently Not Apparently Then (site-specific video installation, Sheffield Railway Station) in the context of Shunted group exhibition by Site Gallery. | |
| 1998 | The Independent newspaper,
London Saturday 31 October |
Kathy Marks 'Art is a new departure for railway station'. |
News item | Seemingly So Evidently Not Apparently Then (site-specific video installation, Sheffield Railway Station 1998). News + photo. | |
| 1998 | AN magazine December, ISSN 0261 3425 |
Review and full colour cover photo | Review; cover |
Seemingly So Evidently Not Apparently Then (site-specific video installation, Sheffield Railway Station) in Shunted group exhibition by Site Gallery. | |
| 1998 | The Yorkshire Post newspaper Friday 5 September. |
Photo | Seemingly So Evidently Not Apparently Then (site-specific installation with live and recorded video, Sheffield Railway Station). Production/process photo. | ||
| 1997 | The Irish Times, Dublin Monday 13 October |
Nuala O'Faolain 'Men, the Presidency and Molly Bloom'. |
Article | For Dublin (temporary public work in neon, 1997). Re. contemporaneous Irish society and politics. Opinion. | |
| 1997 | The Irish Times, Dublin Wednesday 23 July |
Luke Clancy 'Neon words upon the walls' |
Article | For Dublin (temporary public work in neon, 1997). Opinion with photo. | |
| 1997 | Frances Hegarty & Andrew Stones For Dublin - nine manifestations in neon of James Joyce's Molly Bloom. The Irish Museum of Modern Art/Nissan Art Project, 6pp, full colour. ISBN 1873654561. |
Declan McGonagle, Hegarty & Stones |
Exhib. pub/cat |
For Dublin (temporary public art work in neon, 1997). Introduction and artists' text. Photos. | |